INPM #25: The Great Selkie o’ Suleskerry

icon with seal swimming The Great Selkie o’ Suleskerry

I heard a mother lull her bairn,
and aye she rocked, and aye she sang.
She took so hard upon the verse
that the heart within her body rang.

“O, cradle row, and cradle go,
and aye sleep well, my bairn within;
I ken not who thy father is,
nor yet the land that he dwells in.”

And up then spake a grey selchie
as aye he woke her from her sleep,
“I’ll tell where thy bairn’s father is:
he’s sittin’ close by thy bed feet.

“I am a man upon the land;
I am a selchie on the sea,
and when I’m far frae ev’ry strand,
my dwelling is in Sule Skerry.

“And foster well my wee young son,
aye for a twal’month and a day,
and when that twal’month’s fairly done,
I’ll come and pay the nourice fee.”

And when that weary twal’month gaed,
he’s come tae pay the nourice fee;
he had ae coffer fu’ o’ gowd,
and anither fu’ o’the white money.

“Upon the skerry is thy son;
upon the skerry lieth he.
Sin thou would see thine ain young son,
now is the time tae speak wi’ he.”

“But how shall I my young son know
when thou ha’ ta’en him far frae me?”
“The one who wears the chain o’ gowd,
`mang a’ the selchies shall be he.

“And thou will get a hunter good,
and a richt fine hunter I’m sure he’ll be;
and the first ae shot that e’er he shoots
will kill baith my young son and me.”

– a traditional ballad from the Orkney Islands, first written down in 1938 by one Dr Otto Andersson, after he heard the song on the island of Flotta.

I also highly recommend the haunting modern poem “Part Thee and Me – for the children of Lochlann” by Beth Winegarner, which can be read HERE.

Overview: (Inter-)National Poetry Month 2008 »

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2 Responses to INPM #25: The Great Selkie o’ Suleskerry

  1. tree_and_leaf says:

    I love this poem. It’s so quietly sinister.

  2. Re: The Great Selkie of Suleskerry.

    What beautiful, haunting verse! It speaks to my diluted Scots blood. :^) I’m also reminded of one of my favorite indie films, which I haven’t seen for a while: The Secret of Roan Inish, one of John Sayles’ better directorial efforts.

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